tell the rambler, the gambler, the back-biter

I have been the slightest bit remiss, of late, in my authorly duties. Or rather in broadcasting to you all just how my authorly duties have been carrying on while I wasn't watching. (Damn things require careful supervision, or they start nesting in the corners. You know how it is.)

So!

First up, a little whiles back I participated in an discussion-type interview about writers and writing.

Writers deal in conundrums and contradictions, striving to “open a vein”, as the saying goes, and tap something you don’t necessarily want on public display in order to produce worthwhile writing, and at the same time working very hard, crafting and polishing, in order to produce something worthy of public display. Reconciling those opposed desires, as Tess pointed out, requires sleight of mind (that’s such a great phrase!), especially during the initial draft.

The discussion was triggered by Gillian Pollack's new anthology, "Baggage",1 which I for one am pretty keen to read. It veered into all sorts of interesting places, from cultural baggage and the (often irrational) process of writing, to writing on difficult/sensitive/arresting subjects that have no solution. And it isn't just me mouthing off; the wonderfully irreverent Tessa and incisive KJ Bishop get all wise into the bargain — so go, read. Marvel at our flippant biographies and potted wisdom. (Or thank your lucky stars you don't have to live in any of our brains. Take your pick.)

Secondly, my contributor's copy of ASIM #45 arrived in the post a little whiles back. Look! Is it not pretty?

The ASIM website is still listing #43 as the most recent issue, but I'm assured that #45 will soon be on shelves or available for purchase through the website. This is the copy of ASIM that features my week one Clarion South story, "Shaping Lily", a story about a little old lady on an epic quest, with fruit bats and hearts and Consequences.

And finally, because I think you should admire my mad photography skillz some more love you all, have another Mongolia snap.

  1. I don't have a story in Baggage. I'm not entirely sure how I therefore earned myself a place in this discussion, but when people call me rather wonderful and ask me to say things, I do not quibble. I'm nice like that. []

ebooks and excerpts, oh my

FIRST

You do all realise there will be random and intermittent Mongolia stories for some time to come, right? Never fear, they won't be your typical I did such and such, saw such and such, and am now cramming seven gazillion photos and details into one drawn out day type posts, mainly because I'll bore myself shitless if I even so much as tried that.

However, tonight I have other news, writing-ish news, which I should impart first. This brings me to:

THIRDLY

The PodCastle contract for "The Wages of Salt" has been signed and returned. I'll let you know the date it's podcast when I know it. I must admit, this being the first audio version of one of my stories, I'm eager to hear it read aloud.

In other short fiction news, ASIM #45 didn't go live while I was away, as far as I can see. In case you were trying to keep an eye out. Again, more when I know it.

SIXTH AND LASTLY

Here's something I didn't know before now, but might come in handy for you: there's an ebook version of Shadow Queen available!

Apologies for not alerting you all to this sooner, but I only found out because I had need to visit the A&U website today and noticed a new link.

So I guess that means you international types now have an easier way of accessing the book than wrangling with postage rates.

AND, TO CONCLUDE…

For all of you eagerly waiting to find out how Matilde's story ends, courtesy of the good folks at A&U you can now read the first two chapters of Shadow Bound online (or download a PDF for reading later).

The hardcopy version should start appearing on shelves in bricks and mortar stores any time from now on, so get out there and get hunting!

and yet another weekend goes by without ironing

I have 98 AA batteries for the trip to Mongolia. They may well take up the majority of my baggage weight allowance. The perils of trying to calculate how many batteries you'll need to see you through 3 weeks of a potentially avid photography spree.

I've also spent the weekend collating all the medicinal and toiletry stuffs I'll need. I'm a shampoo and toothbrush kind of girl, mostly, but travel to remoter places always requires so much more. First aid kits, emergency antibiotic kits, emergency contact lens solutions, stuff I'll hopefully never need but have to take anyway. My toiletries may well take up the majority of my baggage volume. Once I shove a sleeping bag and sleeping mat in there, I'm not actually sure there'll be any room left for, yanno, clothes.

I see a slight flaw in my packing plans.

This weekend also saw an email from my ASIM editor bearing news. Blog readers blessed with an eidetic memory will have noticed that the April 2010 publication date of the ASIM #45, the issue to feature my story, "Shaping Lily", has been and gone.

Apparently this is because the issue preceding it is running late, and thus we wait. However there is talk afoot of staging a revolution, in which case #45 will be published first. Nothing concrete yet on that front; I mention it now only in case it does happen, and the issue gets published while I'm away fleeing bubonic marmots, and you are all left unawares. So, consider yourselves suitably aware'd.

blown away yet?

Various text messages from my family this morning, asking if I'd been swept off the face of the earth by the Melbourne winds yet. (I'm guessing there was something on the national news last night?)

For all those who are curious: I'm fine. Although I do have to admit that on walking out the front door of work late last week, the wind was fierce enough to literally knock me off my feet. If a colleague had not been on the other side of me (and clearly rather steadier on his feet than I) I would have ended up sprawled across the tarmac. Classy. And that was on a day of just "normal" August winds, not worth warning commuters about.

Fair warning: If I vanish without warning, it is entirely possible I've been carried off to Oz. Which means I could quite legitimately start using the phrase "Don't make me get my flying monkeys…!" AWESOME. (Who wants a souvenir munchkin?)

In the meantime, the good news on my plate is that the edits on "Shaping Lily" are officially — I have it in writing now — done. Done! (Well, except for the proofs. But that's not until next year.)

the atlantic is not a damn girl

Let it be known that live music is good for the soul.

Now, I'll grant you that seeing Eddy Current Suppression Ring and Tex Perkins in the space of two nights, one of said nights being a school night no less, may have been more than my bio-rhythms were prepared to cope with, and I would have far preferred to get more than 9 hours sleep in the last 57, but…eh. It was worth it. I REGRET NOTHING.

Of course, as a consequence, today has so far been spent playing catch-up on the chores. And, er, lolling upon the couch. Which is how I intend to pass the rest of the afternoon. Although, in the interests of being a somewhat productive member of society, said lolling will be accompanied by words on the faerie novel, and edits on "Shaping Lily". At some point.

Honest.

just your typical glamorous day, really

All week I was promised: 20°C on Saturday. And now Saturday is here, and I'm sitting on the couch wearing my fingerless gloves and wrapped in a throw rug, because it is very clearly NOT 20°C. No doubt when I leave the house this afternoon, the wind will sweep itself and all the clouds away to the south and Melbourne will start to bake and I, I will be overdressed and thus I will suffer. This is the natural way of things.

So far this morning, I have managed to wake up at 6:39 (and this is despite not getting to sleep until about 02:30 and where can I lodge a complaint about my bio-rhythms, anyway?) and pick my way through maybe half of the copyedits on "Shaping Lily". Suffice to say I've had better days as far as focus is concerned. Ah well.

Now I think it's time for breakfast.

Before I dive back into wrangling that effing car-crash of a narrative the faerie novel.

ETA: Since the A-format of Shadow Queen should be hitting bookshelves soon, it occurs to me now would be a good time to remind visitors to the blog that you can read the first chapter online for free.

everyone needs somewhere to run to

I've finished the first round of edits on "Shaping Lily" and sent them winging on their way back to the editor — who will doubtless send them straight back with a "Good work! You fixed exactly a drabble of the stuff that needed fixing…here's the stuff you didn't fix back again so you can have another go at that, and while we're at it here's some more!" Because edits are never done in one pass, and fixing one niggle always makes other jagged bits stand out. Writing is in the re-writing, as someone (actually probably various someones) famous has already opined.

Last night, instead of turning back to the poor oft-abandoned faerie novel as I should have done, I worked on a short story. Poor faerie novel: it has been picked up and put down so often it's surely going to have some serious continuity issues. And probably a good few narrative drive issues into the bargain. (Poor me, who will need to fix them!) All my stories get abandoned at some point, because my brain likes to switch to a different problem when I hit the middle of the story.1

Tonight… tonight I cannot decide what to work on. And I am getting distracted by Apple Dictionary only being in American English. Why is there no Australian English dictionary? Or at least a British English dictionary? I DO NOT SPEAK OR SPELL AMGLISH, APPLE.

  1. The one story which was written without any periods of abandonment, even minor ones, is Shadow Queen — although it did have its periods of stalled work while I grumbled and glared at it and muttered under my breath about recalcitrant plotlines. []

today i sat in a beanbag for 8 hours (it was the best day evah)

Today, determined to finish the first pass of edits on "Shaping Lily", I decided to track my progress throughout the day. In the interests of accountability, you understand.

Read on at your own peril. You have been warned.

9:17: Realise I've been dicking around on the internet far too long already, mostly reading through 6 insane discoveries science can't explain (yet).1 This is not a promising start to my revisions. Quickly check my to-do list, and remember in a panic all those bloody things I promised myself I'd do today. Realise edits on Lily is therefore not the first thing I have to do today. Decide edits on Lily are the first thing I'm going to do today anyway.

Read more »

  1. I knew about the antikythera mechanism, but didn't know about the others. Really like the pipes. And the bloop Cthulhu. []

house of cards

Last night I stared at "Shaping Lily" with my edit letter in mind, and wondered if it's possible to fix what needs fixing without pulling the story to pieces.

It was a totally vain endeavour, of course, and I knew this at the time as well, but it appears to be part of my process. There is a point in my process — just after I've received feedback on a story but before I've actually started any (further) revisions — when the story hangs in the balance. A point wherein I basically sit staring at the story, hesitating, thinking a lot but achieving nothing. Or nothing material, at least.

Because as soon as I start — as soon as I select a single thread on which to work — the entire story will unravel and in the process a whole slew of other things that require fixing will fall out, and what was once a story will become instead a mess of shredded words scattered haphazardly over my desk. And I will have to examine every word, singly and in context, yet one more time, as I try to weave it all (seamlessly!) back into a cohesive narrative.1

All that sitting and staring has its place as well, however. It's a moment of waiting, of zen before the battle frenzy, which fixes the big picture in mind before I get lost in the minutiae.

Which is what it's time to do now.

  1. This metaphor would probably be much stronger if I knew anything at all about sewing, or weaving, or knitting. []

i can see my future, and there are edits in it

Today I have exceedingly good news: I have sold a story to ASIM. Tentative publication date is April 2010.

For those playing along at home, I wrote the first draft of this story in January 2005, during my stint at Clarion. (Actually, since it was my week one story, I probably started it, in some brief and jotted form at least, in late December 2004.) I can't remember what I called it at the time (probably something genius like "Untitled"), but it's since acquired the title "Shaping Lily".

The story was inspired by the meeting of two ideas: an epic(ish) quest fantasy story wherein the main character was a little old lady, and Web of Light, by Stephanie Pui-Mun Law. (And in seeking out that link for you, I've only just gone and gotten myself lost in browsing Stephanie's site. Again.)

It's a quaint little story, and one I'm very fond of, so I'm glad it's found a good home.

And in updating my spreadsheet which records these things for me, I've belatedly realised I have exactly one short story currently doing the rounds of submissions, and nothing else to offer. I do have a handful of short stories in serious need of revising (some of my Clarion stories are still languishing, for example — although I think they'll stay languishing, except for one, which may turn into a novel. Like I need yet another novel idea in the queue. Still, too many ideas is a nicer problem to have than not enough ideas, I suppose).

H'm. Perhaps it's time to work on revising or drafting a short story or two.