May 202013
 
The Facade Doesn't Fit, by Luke Chueh

So here's something obvious if only I'd stopped to think about it: an overnight trip with a 4 month old is a bit brutal.

This weekend, Squawk, the pterosaur and I tripped up to Sydney for the Aurealis Awards. We went partly because "First They Came…" was shortlisted, and mostly because I wanted to be part of the scene. To prove to myself that having a child hadn't fundamentally changed my commitment to my writing (even if it has shifted around my writing process, available time, sleep levels, patience, general location, living arrangements, diet, tea addiction, slavish devotion to twitter and all things internet related, ability to think, and just, you know, everything).

I still can't decide whether going was a mistake.

I had a truly fabulous time, and got to catch up with friends I haven't seen in years, and even to meet new friends and to connect in person with people I've only known via the internet before now. After the isolation of the first months of motherhood, being able to frock up and play with the grown-ups was reinvigorating.

But at the same time, the whole experience has left me riddled with guilt. First for disrupting poor Squawk, whose four month old brain hasn't yet learnt the soothing patterns of predictability. For her, nothing is familiar, and sleep is hard to come by because her brain is constantly being bombarded. I mean, a plastic giraffe that squeaks when you happen to push its stomach the right way is brain-bending to a baby. You should see what cellophane does to her ability to control her limbs. The other night I showed her that you could take two cups and tap them together to make a noise, and that revelation was so alarming and world-enlarging that she damn near thrashed herself right out of the bath.

My brain knows how to filter out information it doesn't need, such as the way light bounces off lino, or background babble. Being in an unfamiliar room is no problem, because I know how I got there and how long I'm staying and that I can leave when it all gets too much. I know what's roughly going to happen each day — but Squawk's "days" are usually only 2 or so hours long and they're all pretty varied. Sometimes it's light when she wakes up, sometimes it's not. Sometimes she feeds straight away, sometimes she feeds just before sleep, and sometimes she doesn't feed at all.

She's so little that she's quite simply lost in the detail of this world and its adult-sized patterns.

And this weekend I took her out of her comforting home, threw away all her familiar routines, and dumped her in the middle of a raucous party. One that was four days long, by her reckoning of days, and came straight after a trip that was also four of her days long.

I spent most of the awards ceremony itself mentally kicking myself for what I'd done to her.

To give credit where it's due, Squawk behaved with admirable aplomb. She never once got stroppy with her sleep deprivation, didn't panic at strangers plucking her out of my arms, and she sat through the ceremony without real protest. She did maintain a fairly constant low-grade eerie moaning mutter that had those nearby turning to check whether they were about to die — which promptly had me feeling anxious about spoiling everyone else's ceremony experience into the bargain.

So after the ceremony I left her tucked up in a hotel room with her Nanna, safely away from all the noise. And promptly felt guilty for abandoning her. There she was, needing to tell me what the day had done to her synapses and wanting only something as simple as a cuddle from me or the pterosaur to help her get to sleep, and she had neither. I was downstairs, so worried about her, and so tired myself, that I barely managed a coherent sentence, stuffed up pretty much every conversation I attempted, and didn't manage to find the courage to talk to even half as many people as I'd have liked.

I comforted myself with the thought that I'd be able to catch up with everyone I'd missed at breakfast. But I spent pretty much all of the night comforting poor Squawk, who was so wired that she spent every second of her sleep moaning. Breakfast therefore found me so tired (and hungry — in looking after Squawk I forgot to eat any dinner myself) that I forgot to say hello to people, forgot to say goodbye, I even forgot how to manage my utensils.

I took her because I wanted to be normal, and present.1 To be both a writer and a mother. And mostly, I feel I achieved only an effed-up version of each of them. So busy being a mother I couldn't interact with the writers on a normal level, and so busy being a writer I couldn't be a proper mother.

To everyone who took the time to chat with me, and to put up with my laggy responses as if they were normal, my sincere thanks. To everyone I missed, my apologies. (Or should that be the other way around?) I can see I'm going to have to work on this balance thing.

  1. And because we're both using my breasts. Where I go, she goes. []
Mar 212013
 
Aurealis Awards - Finalist - for Web

Squawk woke me at 5am this morning (needing moral support to make it through a fart — we both survived physically unscathed, despite her fears to the contrary), and as I always do I checked my phone. My phone is my brain these days. I can't tell if she's really hungry or just fussing unless I know what time it is now and what time it was that she last ate, and yes, I know I have a brain for just this circumstance but did you know brains don't function quite so awesomely after a few days (let alone months) of sleep deprivation?

Anyrate, that's all beside the point, because in checking my phone I found not only the time, but a rather attention-grabbing tweet:

Of course I then had to google and you guys:

AA2012finalist

"First They Came…" has been short-listed for an Aurealis Award!

I am so chuffed that even though I got Squawk safely back to sleep, and even though you must always, always, always sleep when the baby is sleeping, I haven't been able to close my eyes for the buzzing in my blood. I pretty much currently look like this (sans the rabbits):

I can't lie: this photo was taken well before hearing the news. I really do get this excited by finding Red Tulip Elegant Rabbits in white chocolate. Especially since my local supermarket only started stocking Easter chocolate a week ago and they've elected not to stock the white one at all, even though it's clearly and obviously the best.

I can't lie: this photo was taken well before hearing the news. I really do get this excited by finding Red Tulip Elegant Rabbits in white chocolate. Especially since my local supermarket only started stocking Easter chocolate a week ago (omg why you make me wait so long?) and they've treacherously elected not to stock the white one at all (omg why you hate me, coles?).

 Posted by at 6:33 am  Tagged with:
Mar 122013
 
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The last week has been somewhat of the hard-slog variety, for a variety of baby-related reasons. Or rather, for a variety of baby-modified reasons. Heat waves aren't fun at the best of times, especially when you don't have air conditioning (and our place doesn't even have access to the cooling southerly breezes) — but when you're cuddling a baby for an average of 50 minutes of every hour, it gets even less so. Similarly, RSI is whimper-making, but when it's caused and aggravated by constantly picking up and holding and settling and soothing and putting down a baby, and there's simply no option of ceasing that activity… Well, you get the picture.

I'm currently wearing a splinted brace on each wrist, a compression band on my right forearm to alleviate the tennis elbow, and I think I need to add a brace to my left knee as well. I'm more neoprene now than woman…

But, to balance things out, the world has been sending me happy-making news regarding my story, "First They Came…". There's some news I'm not yet at liberty to discuss, but among that I can talk about is this wondrous review by Tsana Dolichva:

A really beautiful story that subverts expectation in unexpected ways. It started as a tale of a Melbourne in which shyness had been classed a disease, but it ended as so much more.

…I know which future Twelve Planet collection I'm most looking forward to now.

The story has also been nominated for a Ditmar, and I have to admit the thought of anybody reckoning the story as worthy of attention makes me stupidly happy. (For those keeping count, it's also eligible for the Chronos Awards.)

Given its theme, it seems supremely fitting that the way this story is gathering attention is quietly, gently, quietly.

Dragonfly
Dragonfly, a photo by Moyan_Brenn on Flickr.
 Posted by at 1:17 pm  Tagged with:
Dec 202012
 

ASIM_55_cover_229_317ASIM 55, which features my short story "First They Came…", is apparently now in the wild, in a variety of formats.

Talk about squeaking in a 2012 publication date, eh?

It's a (not quite so) little story which turned out to be both longer and angrier than I anticipated, featuring Melbourne (specifically some of my old Richmond haunts), boundaries, and lost things.

The print copy is currently only $12.95 plus shipping, and the e-formats are even cheaper.

Aug 262012
 

Back in June, I guest-posted over at David McDonald's blog, on the topic of silence:

It’s something I’ve heard at almost every point of wanting and trying to build a writing career: you have to be active on the internet.

…But it comes at a cost. There’s the inevitable time pressure, yes, but then there’s also the noise.

At that time, I was trying very hard to balance my internet time. Not to restrict it, as such, but to make sure I was getting a good signal to noise ratio and — more importantly, for me — make sure I didn't feel guilty for not paying attention when I needed the time apart.

And then I promptly fell off the internet altogether.

I've been reading all my usual streams, and very occasionally tweeting when the mood took me, but mostly I haven't been blogging because, well, Life.

The biggest but simplest attention-occupier has been, of course, my TPP collection deadline. I swore to myself when I was writing Shadow Bound that never again would I sell something I hadn't already written. Now, even at the time, I knew this for an empty promise, but still. The very first thing I did was sell a four-story collection having only written one of them. Er, yeah. The first story of the three I owed, "The Briskwater Mare", came with great difficulty. Much, much difficulty. I wrote 40,000 words of false start before I finally found the story (which ended up being 11,000 words long), and it took me a good two months more than I'd budgeted (and I'd budgeted a lot of slack and generous leeway, because I know my process). Oops.

Luckily, it has, even in draft form, received the stamp of approval for going in to the collection, so now I only owe two more stories. I'm currently working on "The Cherry Crow Children of Haverny Wood" and, er, guess what? Yeah, it's coming with difficulty. So much for hoping the rest of the stories would just pour on out of me, eh? Oh well. I shall valiantly take comfort in the idea that stories which come with great difficulty are because I'm opening a vein or otherwise pushing at the boundaries of my comfort zone. Or something.

I've also, at the editor's request, written a story for an upcoming issue of ASIM. It was perhaps foolish of me to say yes, given I was already stressing over my TPP deadlines, but, well, see above re empty promises and you can extrapolate that to "I'll sell anything I can, and we all know it, right?" Unlike "The Briskwater Mare", this story came without too much trouble, although worryingly it was a rather angry story, instead of the light or humorous or even just sardonic story I was thinking I'd write. Luckily for me, the editor loved it anyway, and all that remained was to edit it (an easy enough task) and come up with a title (a task so fiendish and horrid it had no less than four people staring blankly at walls and blinking at each other, at a complete loss, for months on end). We threw so many suggestions back and forth at each other, all of them plausible and all of them workable but none of them perfect, that I was genuinely beginning to wonder whether I could send a story to print as "Untitled", or some other such meta commentary. But in the end, through gratuitous/desperate wiki'ing of large-scale abstract concepts, a title was found, and it was perfect.

The story shall be called "First They Came…", and it's going to appear in ASIM issue #55, which is due out … well, now-ish, I think.

That's most of the writing/publication news out of the way. There were also other reasons for my silence, most recently due to the Melbourne International Film Festival, during which I decided to see ten films despite a) my deadlines b) my insufficient energy levels and c) Melbourne raining on me every time I left the house.

One I can most heartily recommend is Ernest & Celestine, a charming little story about a mouse who doesn't want to be a dentist and a bear who wants to be a musician. It's just the perfect amount of whimsy and heart-warming, and don't be fooled by the narrative simplicity: there's a very rich world thought out in this one, and although it's never over-explained or harped upon, there's social commentary on the topic of prejudice, ignorance, bigotry and the value we place on various professions.

And speaking of kids, my other, biggest news (which I've oh-so-cleverly buried at the bottom of a very long post where no one will see it) is that I'm going to have one of my own.

It's due around New Years, we decided not to find out the gender until it learnt of the concept of daylight, and the grandmothers-to-be are both beyond excited and into downright agitation.

May 262012
 

Hola!

I am lifting my head from the morass of editing this one story I never want to see again1 and drafting this other story I don't want to have to write2 to tell those who find such things interesting that there's a new interview of me up online.

This one is a little different, being an audio interview for the Galactic Chat podcast, so you actually get to hear my voice. I'm a little nervous about this aspect of it, because I absolutely loathe the sound of my own voice on playback. Does anyone else ever suffer from this dissonance? I swear I don't sound as plummy in real life as I always end up sounding on playback. Or at least, I don't think I do, but who knows?

Anyway! The interview is live, and we touch on the Binding books, and my collection for the Twelve Planets series, among other things, and I had a whole heap of fun conducting the interview, so head on over for a listen!

  1. This is completely normal and an encouraging sign that the process is all working out as expected. Or at least that's what I'm telling myself. []
  2. Again. Normal. []
Apr 052012
 

So how dull do deadlines make my blog, huh? The answer is, apparently, very.

The past month has seen me squirrelling every spare minute into writing a commissioned short (which I intended to be a touch on the melancholy side of light-hearted, but which actually turned out to be … angry). The pace I set myself to get it done was somewhat faster than normal, because I was worried about it eating into my writing-for-TPP time, so it's been a pretty gruelling month, and I've been frothing at the mouth with envy for those who don't have time-gobbling dayjobs. Yeah, I know, we've all been there, if we're not all still there.

Sometimes I can't help but think Plan B1 is a trap.

Things may2 continue to be dull around these parts for a while to come, since the deadlines are by no means satisfied and my own personal neuroses brought on by needing BUFFERS whenever I start to consider numbers as targets require feeding in the face of the deadlines. I'm more active (if barely) on Twitter, which lets me dip in and out as it suits me.

  1. namely: making sure you can pay the rent []
  2. or may not. Hopefully may not. But I can't promise. []