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	<title>Comments on: outlining, damselfly-style. (with footnotes.)</title>
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		<title>By: lunch hour links for writers &#8212; 10/14/09 &#171; helluo librorum</title>
		<link>http://deborahkalin.com/damselfly/2009/10/outlining-damselfly-style-with-footnotes/comment-page-1/#comment-2281</link>
		<dc:creator>lunch hour links for writers &#8212; 10/14/09 &#171; helluo librorum</dc:creator>
		<pubDate>Wed, 14 Oct 2009 14:26:18 +0000</pubDate>
		<guid isPermaLink="false">http://deborahkalin.com/?p=2212#comment-2281</guid>
		<description>[...] Peter Cooper sent me this great link on outlining by Australian author Deborah Kalin where she talks about the four act novel structure that she learned from a Crusie Mayer blog. Visit Deborah so she can show you the fine art of Outlining Damselfly Style with Footnotes. [...]</description>
		<content:encoded><![CDATA[<p>[...] Peter Cooper sent me this great link on outlining by Australian author Deborah Kalin where she talks about the four act novel structure that she learned from a Crusie Mayer blog. Visit Deborah so she can show you the fine art of Outlining Damselfly Style with Footnotes. [...]</p>
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		<title>By: damselfly</title>
		<link>http://deborahkalin.com/damselfly/2009/10/outlining-damselfly-style-with-footnotes/comment-page-1/#comment-2274</link>
		<dc:creator>damselfly</dc:creator>
		<pubDate>Sun, 11 Oct 2009 10:57:43 +0000</pubDate>
		<guid isPermaLink="false">http://deborahkalin.com/?p=2212#comment-2274</guid>
		<description>You&#039;re very welcome! I find the small number of turning points gives a bit of cohesion and drive to the &quot;just write and see!&quot; approach that makes the edits a smidge easier, without getting me so bogged down into over-analysing that I lose all urge to tell the story. It really did take me a while to figure out that even what scant outlining I do really works better for me mid-first-draft rather than pre-first-draft. Oh to know what each book needs from the start, instead of working by feel and guesswork...!</description>
		<content:encoded><![CDATA[<p>You're very welcome! I find the small number of turning points gives a bit of cohesion and drive to the "just write and see!" approach that makes the edits a smidge easier, without getting me so bogged down into over-analysing that I lose all urge to tell the story. It really did take me a while to figure out that even what scant outlining I do really works better for me mid-first-draft rather than pre-first-draft. Oh to know what each book needs from the start, instead of working by feel and guesswork&#8230;!</p>
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		<title>By: Peter</title>
		<link>http://deborahkalin.com/damselfly/2009/10/outlining-damselfly-style-with-footnotes/comment-page-1/#comment-2273</link>
		<dc:creator>Peter</dc:creator>
		<pubDate>Sun, 11 Oct 2009 10:46:29 +0000</pubDate>
		<guid isPermaLink="false">http://deborahkalin.com/?p=2212#comment-2273</guid>
		<description>Thanks, Deb! 

Your advice couldn&#039;t have come at a better time. I&#039;m 15,000 words into draft 1 of my latest project, and I&#039;m using the &quot;just write and see what happens&quot; approach. I hadn&#039;t considered the idea of set turning-points for the lead character, but I can see how they&#039;ll add some focus to what is fast turning into a nice thick plot-soup.  

Please feel free to talk about your writing process as overly much as you like :-)

Peter.</description>
		<content:encoded><![CDATA[<p>Thanks, Deb! </p>
<p>Your advice couldn't have come at a better time. I'm 15,000 words into draft 1 of my latest project, and I'm using the "just write and see what happens" approach. I hadn't considered the idea of set turning-points for the lead character, but I can see how they'll add some focus to what is fast turning into a nice thick plot-soup.  </p>
<p>Please feel free to talk about your writing process as overly much as you like <img src='http://deborahkalin.com/wp-includes/images/smilies/icon_smile.gif' alt=':-)' class='wp-smiley' /> </p>
<p>Peter.</p>
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